Joe Fig<\/strong> and Minimiam (Akiko Ida + Pierre Javelle)<\/strong> each communicate the joys of creating. Fig seeks to understand famous artists by constructing obsessively meticulous models of their studios, providing viewers unique access to the creative process. Under the joint name Minimiam, photographers Ida and Javelle merge their love for art and food by arranging miniature train figures with fruit, pastries, and ice cream to create whimsical scenes of recreation, labor, and culture. Thomas Doyle, Staging Area<\/em> (detail), 2014. Mixed media, 21 x 20 x 4 \u00bd inches. Courtesy of the artist.<\/p>\n\n\n\n <\/p>\n\n\n\n Lori Nix \/ Kathleen Gerber, Library<\/em> (detail), 2007. Archival pigment print , 30 x 40 inches. Courtesy of ClampArt, New York City. \u00a9 Lori Nix\/Kathleen Gerber<\/p>\n\n\n\n <\/p>\n\n\n\n Mohamad Hafez, Hiraeth<\/em> (detail), 2016. Plaster, paint, antique toy tricycle, found objects, rusted metal, and antique wood veneer, 61 x 35 x 21 inches. Courtesy of the artist.<\/p>\n\n\n\n <\/p>\n\n\n\n Sally Curcio, Happy Valley (Fall)<\/em>, 2016. Beads, flocking, fabric, thread, plastic, pins, painted wood frame, and acrylic bubble. 12 x 12 x 6 inches. Smith College Museum of Art, Purchased with the Deaccession Acquisition Fund 2016:22-2.<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" February 13 \u2013 May 10, 2019 Small Worlds explores the ways contemporary artists use miniatures to inspire awe, whimsy, and even dread. These artists either create or employ found miniature figures, rooms, and landscapes, displaying them through photographs or sculptures. The resulting scenes, reminiscent of our childhood playthings, can recall in us that sense of wonder … <\/p>\n
Sally Curcio<\/strong> and Allison May Kiphuth<\/strong> translate their love of landscape into enchanting capsules. Curcio creates modern renditions of snow globes made from found objects. Some recreate real sites such as New York City\u2019s Central Park, while others become other-worldly fantasies. Kiphuth is inspired by her travels and her New England environment to integrate watercolors into \u201cuncontained dioramas\u201d that communicate her passion for the natural world.
Thomas Doyle<\/strong> and Lori Nix + Kathleen Gerber<\/strong> depict the human world eerily overtaken by nature. Doyle constructs models of suburban homes subject to sudden, inexplicable environmental disasters that displace and bewilder their inhabitants. Nix + Gerber create and then photograph intricate scenes of cities and sites of arts and culture reclaimed by natural forces after humans have disappeared.
Corin Hewitt<\/strong> and Mohamad Hafez<\/strong> communicate the dark psychological charges evoked by the buildings that constitute \u201chome.\u201d A native Vermonter and descendant of a family of artists, Hewitt has constructed a modified miniature version of his family\u2019s cabin in East Corinth, Vermont, in which outer and inner walls are manipulated to question the distinctions between public and private, inside and outside. Hafez\u2019s heart-wrenching models of Syrian buildings, destroyed by war but displaying signs of life and hope, reflect the artist\u2019s longing for a home transformed by turmoil.
Two artists based in Vermont recreate in miniature the museum activities of collection, classification, and display. Brian D. Collier<\/strong> developed The Collier Classification System for Very Small Objects, a taxonomy used to name any solid, non-living thing smaller than 8mm x 8mm x 25mm. Visitors can peruse The Traveling Museum of Very Small Objects and make their own contributions to the collection. Matt Neckers <\/strong>created the Vermont International Museum of Contemporary Art + Design (VTIMoCA+D), a series of galleries\u2014many of them mobile\u2014full of miniature artworks. VTIMoCA+D galleries in antique suitcases and a vintage fridge will be on view. The latter will be interactive, demystifying the act of curating for Fleming visitors.
Whether conveying the simple joy of a clever visual pun, or exploring some of the greatest challenges facing our world, art in miniature compels us to look closer, in awe at the skill, enchanted by the size, captivated by the message.
Special thanks to all of the artists and their galleries for their generous assistance. This exhibition is supported by the Kalkin Family Exhibitions Fund and the Walter Cerf Exhibitions Fund.<\/p>\n\n\n\nThomas Doyle’s “Staging Area,” 2014<\/h2>\n\n\n\n
![\"Detail](\"https:\/\/site.uvm.edu\/flemingmuseumofart\/files\/2024\/12\/image-63.jpeg\")
<\/figure>\n\n\n\nLori Nix & Kathleen Gerber’s “Library,” 2007<\/h2>\n\n\n\n
![\"Detail](\"https:\/\/site.uvm.edu\/flemingmuseumofart\/files\/2024\/12\/image-65.jpeg\")
<\/figure>\n\n\n\nMohamad Hafez’s “Hiraeth,” 2016<\/h2>\n\n\n\n
![\"Detail](\"https:\/\/site.uvm.edu\/flemingmuseumofart\/files\/2024\/12\/image-66.jpeg\")
<\/figure>\n\n\n\nSally Curcio’s “Happy Valley (Fall), 2016<\/h2>\n\n\n\n
![\"Sally](\"https:\/\/site.uvm.edu\/flemingmuseumofart\/files\/2024\/12\/image-64.jpeg\")
<\/figure>\n\n\n\n